|
| SETI and Aesthetics |
|
Are there any universal principles in science and aesthetics that could help us to set the unknown parameters for interstellar communication? Guillermo A. Lemarchand Instituto Argentino de Radioastronomia (CONICET) & Centro de Estudios Avanzados (Universidad de Buenos Aires) C.C. 8 - Sucursal 25; (1425) Buenos Aires, Argentina Jon Lomberg The Planetary Society P.O.Box 207, Honaunau, Hawaii 96726 ABSTRACT The success of radio search for extraterrestrial intelligence (SETI) depends not only on the unknown abundance of civilizations in our galaxy, but also on their assumed transmission strategies. In this paper we suggest that, in order to maximize the probability of the discovery of an interstellar message, the parameters be set choosing those which minimize the number of unknown dimensions to be searched by the recipient, using those principles in science and aesthetics which may be "universally" known among intelligent civilizations. These include various symmetries, particularly radial and bilateral, and constants such as phi, the so-called "Golden Section" I- INTRODUCTION: Assuming that the best way
for establishing contact across interstellar distances is the use of
electromagnetic waves (Shklovskii and Sagan, 1966), the space of configuration
for the transmission of interstellar signals includes a four dimensional
sub-space [R, a, d, t] (where R is
the distance to the target star, a the right ascension,
d the declination, t
the time after the transmission of
the signal) and a seven dimensional information subspace [m, f, ti, ∆B, P, C, S ] (where m
is the modulation type, f
the frequency, ti the information
rate, ∆B the spectral
width of the transmitting signal, P the polarization, C, the code and S
the semantics.) (Dixon 1973;
Makovetskii 1980; Lemarchand 1994). Even if there are large
numbers of mutually communicative civilizations, the probability that the Earth
would be able to detect an ETI beacon signal following a random addressing
times strategy for transmission and reception is vanishingly small (von
Hoerner, 1961; Bates, 1978). In order to be detected by an emergent
civilization, the best transmission strategy should set all the variables of
the space of configuration following the Principle
of Anti-Cryptography (Dixon, 1973). In this way the signal should be
designed and operated to maximize its probability of discovery, both by intentional
searches and by accidental observations. Scientific principles were
called to propose "universal" ways in order to set the different variables
for anti-cryptographic interstellar communications: best frequencies (the
microwave window by Drake, 1959), best interstellar bandwidth (Cordes &
Lazio, 1991); to select the targets (sky survey vs. nearby stars), the synchronization
between transmissions and receptions of electromagnetic signals (Pace
and Walker 1975; Tang 1976; Makovetskii 1977; McLaughlin 1977; Lemarchand
1994); the correlation between direction in the space and frequencies that could
be amplify by interstellar masers (Marimoto et al. 1978; Cordes, 1993); etc. In order to select the best
strategy for transmission as well as for reception, we must look carefully at
the way we can optimize all the free parameters, assuming that the anti-cryptography
principle and communication by means of electromagnetic waves are the typical
assumptions among galactic civilizations. There is an assumption of symmetry
underlying the hope that transmitters and recipients will arrive at similar, if
not identical strategies. We hope that the strategies of senders and receivers
will be symmetrical (we look where they send). We hope that our technologies
will be symmetrical (we listen with machines that can detect their signals).
And we hope that ideas of what constitutes "anti-cryptography" will
also be symmetrical, or else we will never decode or perhaps never even
recognize, an interstellar message. We ask in this paper whether
other properties of symmetries may therefore offer some advantages when setting
the free parameters of our search space, since these same symmetries might be
known to all intelligent species and provide mutually obvious clues as to how
and where interstellar signals will be found. II-SYMMETRY IN NATURE AND
AESTHETICS One reasons to believe that
an appreciation of symmetries may be universal is to observe how widely they
reappear in nature, science and in independently created human art forms. They
form the basis for many patterns that occur in human art, and thus are a common
principle of aesthetics. Symmetry and other aesthetic principles are deeply related
to mathematics and physics. If we assume that scientific extraterrestrials
share enough of our mathematics and physics on which to base communication, it
is worth considering whether they might know and share some of these aesthetic
principles as well. We shall discuss examples of symmetries (radial, bilateral,
ellipsoidal, etc.) and one example of another aesthetic principle (phi, the Golden Section) to illustrate some concepts which may have an application in SETI. In nature many inanimate
objects and organisms exhibit obvious and remarkable bilateral, radial,
concentric, and other mathematically based symmetries. In science these
symmetries are important in the study of crystals, celestial mechanics, virus structure,
fracture patterns in materials, mathematical topology and group theory (Weyl,
1952). And symmetries have been of fundamental
and species-wide importance in the history of human culture, in art forms
including architecture, music, dance, poetry, drama, and film; and in
activities like sports and games (Ghyka, 1952; Huntley, 1970). The chessboard and the soccer field are as
formally symmetrical as the mandala. Here we present some examples
of symmetries we suspect may recognized throughout the universe: (1) Radial symmetry: Let us consider the example of radial
symmetry, an arrangement based on radii emanating from a common center. In its
most regular forms the radii are separated by a constant number of degrees. Radii
may be of different lengths, but opposite radii are usually the same length.
Looser radial symmetries with no regularity of the length and angle of radii
can also be found in random processes like cratering. In Earth's biosphere
radial symmetry is found throughout many phyla and kingdoms, from the shells of
radiolarians to the growth patterns of colonial algae, from the lotus flower to the octopus, from the spider's web to the human
eye. In human art radial symmetry
is one of the commonest design motifs in the world, equally obvious in the
stonework of Gothic and Aztec masons, in the symbols of Chinese and Navajo
people, in the religious iconography of Tibet and family crest design in Japan.
Indeed, mandala patterns are among the few designs found in almost every human
culture known. (see accompanying illustrations, from Argüelles, 1972; and
Haeckel 1904) Isotropic radiation is itself
a universally occurring, three dimensional photon mandala. Many human mandalas
possibly originated in a two dimensional projection of the Sun's radiation. The
Big Bang can even be envisioned as a four dimensional cosmic mandala. It is
interesting to note that one repeated characteristic of mandalas in human art
is the necessity of having a slight flaw in the symmetry, so, it is said, the
soul will not be trapped. Without some flaws, so-called anisotropies, in the symmetry
of the Big Bang, galaxies and stars would never have appeared. IMPLICATIONS FOR SETI: The
implication for SETI strategies is that a commonly recognized,
mutually guessable unique point will be any center common to both
parties. For other civilizations in the Milky Way, that unique point is the
center of the galaxy. Consider Earth to be at one location in the
"galactic mandala". If there are many transmitting civilizations in
the galaxy, some other civilizations may exist along the same radius as the
Sun. These civilizations would therefore occupy a privileged position over
other galactic locations from the point of view of symmetry. Radial symmetry thus
offers a solution to the question of where in the sky interstellar beacons might
preferentially be directed and found. According to radial symmetry,
beacons and the searches for them should concentrate along the radius connecting
between us, the galactic center, and the galactic anti-center. There are at
least 108 stars visible along this axis, so a very large number
of candidate solar systems would be encompassed. By limiting the search to this
axis, we increase the time we can spend on the candidate source from a few
seconds to many months (a factor of 106
improvement), creating a "deep
field" radio survey of that area of sky.
This may substantially increase our chances of detecting a strong, periodic
beacon. Another benefit of this strategy is to simplify the problem of how to
compensate for difference in relative proper motion of sender and receiver
since we can use the Galactic Barycenter as a common rest of frame. 2) Omnipresence of phi
: The Greeks had already noticed that three terms at
least are necessary in order to express a proportion; such is the case of the
continuous proportion (a/b) = (b/c). But the problem could be simplified by
reducing to two the number of terms, and making c = a+b, so the continuous
proportion becomes (a/b) = (b/(a+b)). By resolving the last equation we found
that b = (1+ √5)/2 a or b = (1- √5)/2 a. The constant of proportionality
is named phi (approximating to 1/1.61803...~ 0.61803...). Phi has been studied since the time of
Pythagoras, and variously known as the Golden Section and the Divine
Proportion. In 1509 Luca Pacioli published De Devina Proportione, illustrated by Leonardo da Vinci with one of the
most famous drawings in the history of Western art: a four-armed, four-legged
man exhibiting the proportions of phi in his own
body. Kepler (1571-1630) said of the Golden Section:
"Geometry has two great treasures: one is the Theorem of Pythagoras: the
other the division of a line into extreme and mean ratio. The first we may
compare to a measure of gold; the second we may name a precious jewel." Phi may be found
in mathematics by creating ratios of successive terms of the Fibonacci series
(0,1,1,2,3,5,8,13,21,34....). It is also similarly derived from any other
example of the Lucas series (un-1 + un = un+ 1), of which the Fibonacci is the simplest case (where
n=1). It may be noted that the presence of phi in the Fibonacci series also works in all
arithmetics besides base 10. Phi has very curious mathematical
properties. For example, number theory
shows that phi is the most irrational number and also has
the following identity phi n = phi (n-1) + phi (n-2). These properties can be used for computational
numerical algorithms for optimal methods of function minimization (Press et
al., 1986). Our treatment of phi will be very cursory, but a deeper study will reveal a large
number of other cases where phi appears,
besides those few enumerated here. Phi makes many
appearances in geometry: lines connecting the vertices of a pentagram form a five-pointed
star, each line of which bisects two other lines, cutting each into two line
segments whose proportions exhibit phi. Phi is also found
in 3:4:5 right triangles, in the solution to Neville's 5-disk problem and in
many other areas of mathematics. Phi, and the Fibonacci series exhibiting phi appear in the real world in
many physical and biological phenomena (Cook 1914; Thompson 1942). Here are a few examples from physics and biology: If a beam of light is
incident upon two sheets of glass in contact, there will be multiple
reflections. The number of different paths followed within the glass before the
ray emerges depends on the number of reflections which the ray undergoes. The
number of emergent rays is a Fibonacci number (see diagram). A spiral can be formed along
the ends of adjacent perpendiculars whose proportion is phi. This lovely spiral is
seen in some of the handsomest spiral galaxies, such as M51, M101, and M74.
This spiral has been noticed by many mathematicians and been variously called
the equiangular spiral and the logarithmic spiral. Phi may be seen in biology
in population growth of successive generations of rabbits; in the genealogy of
the drone bee; and in the average value of leaf divergence measured on these
stems of plants (this is angular separation of successive leaves on a stem as
measured on a helix drawn from the root of the plant upwards in many species of
plants). The number of petals on many
common flowers is a Fibonacci number (Iris-3; Primrose-5; Ragwort-13; Daisy-34)
Plants with composite floret patterns, like the sunflower, the pinecone, and
pineapple show overlapping clockwise and counter-clockwise spirals patterns. In
the sunflower there are 21 petals in clockwise spiral, 34 in the counter-clockwise
spiral; in the pine cone 5 clockwise, 8 counter-clockwise; in the pineapple 8
clockwise and 13 counter-clockwise. The number of florets in each spiral is a Fibonacci number, and they are successive Fibonacci numbers! The equiangular spiral,
generated by connecting the ends of perpendicular lines whose length increase
by a factor of phi, appears in the curve of animal horns and in the
seashell, Nautilus pompilius, the
chambered nautilus. Phi's ability to generate beautiful patterns has been exploited
by human artists for 2000 years. The Greek sculptor Phidias used it, and the
proportion of the height to the length of the Parthenon is a close
approximation to phi. In the two millennium since the Parthenon was designed phi has continued
to be a touchstone for generations of graphic and design artists and architects
. (Huntley 1970). We cannot say why this
"golden" proportion occurs in processes seemingly as unrelated as
galactic rotation and growth patterns of flowers, horns and shells. But for
whatever reason it seems to be deeply embedded in the mathematical description
of phenomena throughout the real universe. It is reasonable to assume that other intelligences studying
the cosmos will have discovered this proportion as well. IMPLICATIONS FOR SETI: The
implications for SETI strategy may be that a unique and universally distinctive
number is derived which can be used as a required constant wherever a specific
number is required in any parameter of search space. It might be useful in anticipating
the periodicity of beacons, or in selecting the magic frequencies on which to search,
or perhaps to identify privileged locations in the sky (Lomberg, 1988, 1993). It can also be used to
arrange pictorial binary messages (with the Arecibo message style) but ordered, for example, in
a matrix of 33,552 bits (product of 144x233 -golden mean rectangle- where 144
is the only perfect square number in the Fibonacci series, while 233, the
following number in that series, is also a prime number). (3) Other Symmetries: A similar argument can be made for
bilateral symmetry. It is found everywhere throughout the biosphere. Indeed the
double helix of DNA is bilaterally symmetrical, as are the members of many
animal phyla. It is also found in astrophysics in the bi-polar jets emerging
from proto-planetary disks, accretion disks around black holes, and from the
center of massive and active galaxies. The implication for SETI strategies
is that if a particular direction is selected, one should look in both
directions along that axis. Some particular applications, using ellipsoids and hyperboloid
symmetries to synchronize the transmissions and receptions of call signals
using nearby supernova or nova explosions were discussed by
Tang (1976), Makovetskii (1977, 1980) and Lemarchand (1994). Following this bilateral
ideas and the advantage of interstellar natural amplification of cosmic masers
(Cordes, 1993), we can use the convergence of "magic places"
(unsaturated cosmic masers sources), with "magic frequencies" (cosmic
masers frequencies, especially OH at 1.67 GHz and Methanol at 6.6 GHz) with a
high gain (~ e20), with the bilateral symmetry property. There are other forms such as
spirals which occur both in art and nature, and other interesting numbers which
provide unique values that can set the free parameters of search space. III-CAN AESTHETICS BE APPLIED
TO SETI? Ultimately our argument
reduces to an assumption: we believe that some aesthetic principles mirror the
natural world in the sense that the same mathematics can be used to describe
both (Ne'eman, 1995). Indeed aesthetic principles seem to be selected on the
basis of their mathematical regularity. Many formal aesthetic principles can be
described mathematically (even Aristotle's "dramatic arch" in drama
and literature seems to echo the trajectory of an object, in a gravitational
field). Many pre-technical cultures on Earth worked using symmetry
principles (Nagy 1995; Wilson 1995). Here we assume that other intelligent beings
will also have aesthetic appreciation and they can use them to set different
variables of our space of configuration. This can be challenged as unprovable. However SETI has always
proceeded on the identical assumption that ETI will think mathematically, and be
aware of the significance of, for example, prime numbers. The advantage of
using symmetries and aesthetics in SETI is that they may allow us to restrict
some parameters of search space which are otherwise inconveniently large. We
believe a good case can be made for the universality of these aesthetics
principles, since they are so deeply related to mathematics and natural
phenomena. Every argument that can be used to defend the ubiquity of mathematics
and physics can be used to defend the ubiquity of these principles of aesthetics.
Our conclusion is that symmetry, as well as other aesthetic considerations can contribute
to the solution of general and specific problems in SETI strategy including
choices among the various frequencies, directions, and times that define
particular search strategies. These principles also may play an important role in the decoding of messages, should any ever be received. IV-REFERENCES: Argüelles J. and M. (1972) Mandala,
Shambala Press, Berkeley and London Bates, D.R. (1978), Astrophys. Space Sci. , vol.55, p.7 Beskin, G.M. and Sannikov, ASP
Conference Series, vol.47, p.251 Cordes, J. and Lazio, T. J.
(1991); Astrophys. J., vol.376, p.123 Cordes, J. (1993), ASP Conference Series, vol.47, p.257 Cook, T.A. (1914), The Curves of Life, Constable & Co.
London Dixon, R. (1973), Icarus,
vol.20, p.187 Drake, F.D. (1959), Sky
& Telescope, vol.19, p.140 Ghyka, M. (1952), Philosophie et Mystique du Nombre,
Payot, Paris Haeckel, E. (1904), Art Forms in Nature, Dover Pub. Inc.,
New York Huntley, H.E. (1970), The Divine Proportion: A Study of Mathematical Beauty, Dover Pub. Inc. New York. Lemarchand, G.A. (1994), Astrophys.
Space Sci., vol.214, p.209 Lomberg, J. (1988),
"Preferred Directions and Intervals of Extra-Terrestrial Beacon
Signals", paper presented at The Planetary Society SETI
Meeting, Toronto, October 1988. Lomberg, J. (1993), "The Aesthetics of SETI" ASP Conference Series, vol.47, p.427 Makovetskii, P.V. (1977), Soviet
Astronomy, vol. 21(2), p.251 Makovetskii, P.V. (1980), Icarus, vol.41, p.178 McLaughlin, W.I. (1977), Icarus, vol.32, p.464 Morimoto, M. Hiribayashi, and
Jugaku, J. (1978), Nature, vol. 276, p.694 Nagy, D. (1995), "The
2,500-year old term symmetry in science and art, and its `missing link'
between the antiquity and the modern age", paper presented at
Symmetry:
Natural and Artificial Third International Symmetry
Congress and Exhibition of ISIS}, Washington DC, August 14-20, 1995 Ne'eman, Y. (1995);
"Symmetry as a fundamental element of physical reality", paper
presented at Symmetry: Natural and
Artificial Third International Symmetry
Congress and Exhibition of ISIS}, Washington DC, August 14-20,
1995 Pace, G.W. and Walker, J.C.; Nature, vol.254, p.400 Press, W.H.; Teukolsky, S.A.;
Vetterling, W.T.; and Flannery, B.P. (1986), Numerical
Recipes, Cambridge University Press. Shklovskii, I.S. and Sagan,
C. (1966), Intelligent Life in the Universe,
Holden Day Inc, San Francisco Tang, T.B. (1976), J. Brit. Interplanet. Soc., vol.29,
p.469 Thompson, D'Arcy W. (1942), On Growth and Form, Cambridge University Press, Cambridge. von Hoerner, S. (1961); Science, vol.134, p.1839 Weyl, H. (1952); Symmetry, Princeton University Press,
Princeton. Wilson, A.M. (1995), The
Infinite in the Finite, Oxford University Press, Oxford.
|
| Return to Articles main page |
Copyright ©2007 Jon Lomberg. All Rights Reserved.